"I am tired, not of arguing in favour of equality, diversity and tolerance, but of having to explain, over and over and over again, why such arguments are still necessary, only to have my evidence casually dismissed by someone too oblivious to realise that their dismissal of the problem is itself a textbook example of the fucking problem. I am tired of being mocked by hypocrites who think that a single lazy counterexample is sufficient to debunk the fifteen detailed examples they demanded I produce before they’d even accept my point as a hypothetical, let alone valid, argument. I am tired of assholes who think that playing Devil’s Advocate about an issue alien to their experience but of deep personal significance to their interlocutor makes them both intellectually superior and more rationally objective on the specious basis that being dispassionate is the same as being right (because if they can stay calm while savagely kicking your open wound, then clearly, you have no excuse for screaming)."
@5 days ago with 24361 notes
@5 days ago with 132112 notes
That man you see there, he is a 92 year old veteran from Norway, who was tortured by the nazis during world war II.
The upper picture is the picture of the “BOY London” logo, that’s so popular now days.
Then, on the picture under, is a known symbol that were used under by the nazis in World War II.
Now you can all think of what you’re really wearing.
finally someone made a post about it, everyone’s running around with the Third Reich Eagle on their chests
think about it
yes make it known. nobody ever talks about it.
nicki minaj wears this brand all the time and it’s the only thing I’ve ever been disappointed about her so far
"While Ms. McKenna “did not ‘abduct’ the child,” the court said, “her appropriation of the child while in utero was irresponsible, reprehensible."
@1 week ago with 24216 notes
Sara McKenna, a former Marine, became pregnant during a brief relationship with Bode Miller, an Olympic skier. While seven months pregnant, she moved from California to New York to go to school, leading a judge to scold her for “virtually absconding with her fetus.” Now, the fight for custody of their son has become “a closely watched legal battle over the rights of pregnant women to travel and make life choices.” (via bebinn)
oh my god
cos women are nothing but incubators. god forbid they actually live their lives while pregnant. what horse shit that judge is.
@1 week ago with 1348 notes
For Nona Faustine the restitution of her sense of wholeness as an African American woman and artist manifests in the guise of a restoration of the past, emphasis on guise. Although we see her marching up the steps of City Hall in Manhattan with nothing on but her white Sunday shoes and a pair of shackles in her left hand…she is not really trying to restore anything. It took me a while to realize it.
Her on-going photography and installation project Reconstructions is precisely that – reconstructions that attempt to replace something that was lost in the history of Blacks in America. This should not be confused with an attempt to relive the past through reenactment. Faustine’s images are more are like markers that indicate a place, an institution, an event or a person so that with her presence on that spot she does not merely remember them for the sake of remembering, she rewrites a new history for them. There on the steps of City Hall’s Renaissance Revival facade that abuts a slave burial ground or standing on her soap box at the intersection of Water and Wall Streets where a market once trafficked in humans, she is the fearless daughter of them all, the new Venus of Willendorf reborn to reconstruct a history, the ultimate act of fecundity.
Faustine easily acknowledges the impossibility of getting at what is essential with this task she has set for herself, because to reconstruct a history is an altogether different action than to restore one. Hers is not an attempt to historicize the present but to re-write the past. She did the research, discovered who bought and sold black slaves in colonial New York, and where, and how they were transported in and out of the city. But there is no Aushwitz or Treblinka for the victims of slavery in America despite the common knowledge that an estimated 10-12 million Africans died in the Middle Passage alone, and countless others succumbed to starvation, physical abuse and disease once on these shores. In a way the images function as memorials that she makes herself, one at a time, with her body, the naked truth of its blackness braced against a cold city, reconstructing a narrative where the enslaved has dignity and is not afraid.
(via HISTORY IS NOT THE PAST | WHAT HAPPENED WAS…)